Thread: Looking for a New Compressor
There are lots of choices when it comes to compressors for use in live sound or in the recording studio.
Several in the group share their preference in compressors.
From: Douglas J Sebens (Lynden, WA)
Subject: Compressors
Hey all
This is my first post to this group, but I've learned lot's by just
"listening" you "y'all".
I was looking for information/opinions about various compressors. I've
been using a DBX 163a unit for a couple of years and it has worked out
fine for our needs. I want to get a 2 channel unit and have been looking
at a Behringer Autocom. Does anyone have one and how does it perform?.
In light of an earlier thread dealing with wireless mic interference,
can a compressor in the same rack as a wireless cause problems? Thanks
to you guys I recently found that our CD player was causing interference
with our AT system. Like I said, I've learned lots already!!
Douglas J. Sebens
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From: Wayne Gourley (Arlington, TX)
Subject: Re: Compressors
I have used an Alesis 3630. It is a 2 channel commpressor/limiter. I
have used them in different places and have only had good luck with them.
Wayne Gourley
Arlington Nazarene
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From: Bob Puff (Rochester, NY)
Subject: Compressors
Hi Doug,
<"I want to get a 2 channel unit and have been looking at a
Behringer Autocom. Does anyone have one and how does it perform?.">
I've used one, and it is ok... Depends on the application. It does not
work well as a brick-wall limiter (as I was hoping to use one as), but
it is ok for a vocal compressor.
In the same price range, check out the dbx 262. It does not have XLR
connectors like the autocom, but it can do brick-wall limiting. It has
less adjustments, but also is a little cheaper.
Bob @ NLE
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From: Phil Chaney (Phoenix, AZ)
Subject: Re: Compressors
Hi all! I'm new to the list, and looking forward to future posts.
I regularly use 4 Behringer Composer 2-channel compressors and 1
PreSonus ACP-22 2-channel compressor every week and they perform
flawlessy. I have found the Composers to be a good-quality compressor
for its price range. Haven't had any experience with the Autocoms.
Phil Chaney
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From: Rob Parpatt (Chilliwack, BC, Canada)
Subject: Re: compressors
Welcome to the list. How long have you been mixing sound at church?
NPBC - if this is the church that I am thinking of, you have a pretty
BIG sanctuary.
Rob
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From: Eric Kleinpaste (Gahanna, OH)
Subject: Re: Compressors
Douglas,
My vote is for the Presonus and the later dbx units such as the
1066 and 1046. I have been using a Presonus ACP-22 for several
months and have been quite impressed with it.
The latest rage has been the RNC (Really Nice Compressor). It
is sold directly by the manufacturer for about $175. It is 1/3
rack space with a wall wart, stereo with one set of controls (no
dual mono), unbalanced I/O... If you want more info on it check
out DejaNews in re.audio.pro.
At a previous church we had a dbx 163, but I am afraid that I
was none too pleased with it. This was about 10 years ago and
perhaps we had a bum unit. You could hear it kick in and out.
It was not very transparent for my tastes. YMMV.
Eric M. Kleinpaste
Karl Road Baptist Church
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From: Phil Chaney (Phoenix, AZ)
Subject: Re: compressors
Rob Parpatt wrote:
<"Welcome to the list. How long have you been mixing sound at
church?">
Thanks! I've been involved with church sound for about 12 years now (got
my start as a teenager) and have mixed for a couple of churches and some
performance groups at Grand Canyon University during that time.
<"NPBC - if this is the church that I am thinking of, you have a
pretty BIG sanctuary.">
Yep, that's the one. I occasionally mix for services in the sanctuary
but I am primarily involved in mixing and managing the technical needs
for a "post-modern" contemporary worship service on Sunday evenings. The
service is directed towards seekers, but its also an alternative for the
young-adult ministries. Every week we load in the sound system to
support drums (fully mic'ed), keyboard, two electric guitars, bass, and
three vocalists, drama with wireless mics, and video playback. We start
set-up at 2PM, service at 6, and done with tear-down by 8.
Phil Chaney

 

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